"Woe from Wit" and "Misanthrope" by Moliere
Of foreign works, the comedy by Moliere “Misanthrope” was especially important for “Woe from Wit” (see the summary, analysis and the full text). Studies by Professor Alexei Veselovsky showed that…

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Byron "Childe Harold's Pilgrimage"
The hero of Byron's poem Childe Harold's Pilgrimage is a young aristocrat, full of pleasure and disappointed in life. Leaving the "father's house", his "ancient castle", Harold sits on the…

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Akaky Akakievich Bashmachkin in the story "The Overcoat"
The Gogol story “The Overcoat” (see its full text, summary and analysis) depicts a petty, downtrodden and pathetic official Akaky Akakiyevich Bashmachkin (see his description in the text of the…

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Katerina Akhmakova in Dostoevsky’s “Teenager”

To the unearthly friend of his, Sofia Andreevna, the main character of the “Teenager” Versilov faces a bright face. Dark, he turned to the earth of his love – Katerina Nikolaevna Akhmakova. Throughout the first two parts of the novel, the truth of this love is closed from us by a thick veil of gossip, slander, and vile suspicion. Versilov’s son, Arkady, heard that his father abroad had some kind of suspicious history with this woman and that they were shared by an old feud. He is prejudiced against Akhmakova and, having met her for the first time at Prince Sokolsky, sees him as an enemy. “She somehow raised her face, looked at me badly and. smiled cheekily. And yet its beauty strikes him. The author repeats the technique he used in “Idiot” to portray Nastasya Filippovna: the hero first sees a portrait of a beautiful woman, and then her own. Continue reading

Corneille "Sid" - analysis with quotes
In the best works of the founder of the classic tragedy Pierre Corneille (1606 - 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing,…

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SOC-ART IN THE LITERATURE
According to the Lexicon Nonclassics, this term originated in 1972–1973 to the circle of artists Vitaly Komar and Alexander Melamid as a kind of ironic centaur of domestic “social realism”…

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