Bulgakov "Heart of a Dog"
A homeless dog Sharik, who lived in Moscow, was scrubbed with a boiling water by one cruel cook. It was December, and Sharik, with his side wounded from the burn,…

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Bunin "Loopy ears"
Bunin's story "Petty ears" is very inferior to "The Lord from San Francisco", but written in the same powerful manner, with the same force of a full-sound and wonderfully heavy…

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Beaumarchais The Marriage of Figaro
Exceptional success fell on the second part of the Beaumarchais comedy trilogy - “Mad Day, or the Marriage of Figaro”. (For the first part - see “The Barber of Seville”…

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bravery

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Leo Tolstoy “Confession”

The first of the works of Leo Tolstoy, in which he preached the moral-religious teaching (Tolstoyanism) that appeared in his mature age, was Confession (started in 1879 and completed in 1882). At one time she was not missed by Russian censorship. Printed in Geneva and in Russia distributed in lists. Confession is above all that he wrote afterwards; in purely literary terms, this is a masterpiece that is on a par with such things as the Book of Job, Ecclesiastes, and Confession of Blazh. Augustine. It is one of the greatest and forever living expressions of the human soul in the face of the eternal mystery of life and death. Continue reading

Corneille “Sid” – analysis with quotes

In the best works of the founder of the classic tragedy Pierre Corneille (1606 – 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing, the majestic images of harsh, volitional heroes express the idea of ​​patriotic duty understood as serving the state in the person of the king. A characteristic theme of classicism — the clash of personal interests with public debt — is permitted by Corneille in favor of debt, although he also portrays with great force the tragedy of human feeling suppressed by absolutist statehood. Continue reading

Katerina Akhmakova in Dostoevsky’s “Teenager”

To the unearthly friend of his, Sofia Andreevna, the main character of the “Teenager” Versilov faces a bright face. Dark, he turned to the earth of his love – Katerina Nikolaevna Akhmakova. Throughout the first two parts of the novel, the truth of this love is closed from us by a thick veil of gossip, slander, and vile suspicion. Versilov’s son, Arkady, heard that his father abroad had some kind of suspicious history with this woman and that they were shared by an old feud. He is prejudiced against Akhmakova and, having met her for the first time at Prince Sokolsky, sees him as an enemy. “She somehow raised her face, looked at me badly and. smiled cheekily. And yet its beauty strikes him. The author repeats the technique he used in “Idiot” to portray Nastasya Filippovna: the hero first sees a portrait of a beautiful woman, and then her own. Continue reading

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"The Brothers Karamazov"
Dostoevsky writes not a philosophical treatise or a theological system, he writes a novel. Religious-philosophical material is introduced into the framework of the romantic genre and is developed according to…

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“Woe from Wit” - analysis, briefly
“Woe from Wit” is the main work of Griboyedov’s entire life and is one of the best works of Russian dramatic literature. Despite the fact that Griboyedov describes Russian society…

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“European Herald” - Karamzin magazine
Creativity Karamzin in the years of the reign of Alexander I is of considerable interest. A sentimentalist writer, an individualist, essentially his temperament, who was first interested in mainly his…

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Two crosses of Konstantin Batiushkov
This year marks the 230th anniversary of the birth of Konstantin Nikolaevich Batyushkov (1787–1855) and the 200th anniversary of the release of his only book, the two-volume book Experiments in…

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