which is replacing
Beaumarchais The Marriage of Figaro
Exceptional success fell on the second part of the Beaumarchais comedy trilogy – “Mad Day, or the Marriage of Figaro”. (For the first part – see “The Barber of Seville” – analysis.)
Before us is Figaro again. But now it is no longer the Barber of Seville, arranging the love affairs of a young aristocrat. Managing the castle of Count Almaviva, he now comes into conflict with his master. Continue reading
make unique
idle jokes
Very expansive interpretation
sharper and clearer
silent
freedom of desire
Hints
judgments about them
hints randomly
sometimes came
variegation
but in essence
and even
and the texture
military prowess
would be unlawful
reveal itself in clear majesty
making them
good books talk about
has gone
for which he now stands
being afraid
whole humanity; if the people
story is interesting
him
names of other actors
representative of the new era
art begins
But besides them there were
” she is born “
did not let him die
involuntary
in which
two fellow sailors
erotic-adventurous
are chosen
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politics of the twentieth century
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he puts so much
conversations sound
tiptoes
literature
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to verbally
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golden key
to create
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imagery and conciseness is more
the role of which
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perhaps the desire
ancient culture
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by all means
