Image and theme of the war in Tolstoy's “Sevastopol Stories”
In the military stories (“Raid”, “Forest Cutting”, “Sevastopol in December 1854, in May and August 1855”) Tolstoy dwells on the question of how legitimate war, demanding so many bloody victims,…

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ART BOOKS
The art book is a stumbling block in the perennial issue of "execution can not be pardoned." Only in our case - “buy cannot be downloaded”. Yes, they are often…

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Bogdanovich "Darling"
The content of “Darling” is taken from La Fontaine’s prose work “The Love of Psyche and Cupid” (“Les amours de Psyché et de Cupidon”). The content of this work, in…

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chronographic order

Beaumarchais The Marriage of Figaro

Exceptional success fell on the second part of the Beaumarchais comedy trilogy – “Mad Day, or the Marriage of Figaro”. (For the first part – see “The Barber of Seville” – analysis.)

Before us is Figaro again. But now it is no longer the Barber of Seville, arranging the love affairs of a young aristocrat. Managing the castle of Count Almaviva, he now comes into conflict with his master. Continue reading

Bogdanovich “Darling”

The content of “Darling” is taken from La Fontaine’s prose work “The Love of Psyche and Cupid” (“Les amours de Psyché et de Cupidon”). The content of this work, in turn, was borrowed by the author from Apuleius’s novel The Golden Ass.

In the work of Apuleius, the main idea is that the soul, immersed in sensuality, matter afterwards, thanks to the initiation into the sacraments, is purified and transformed. The soul of a woman (Psyche), having lost its original purity, should as a slave of Love (Venus) undergo a series of severe tests in order to ascend to the divine bridegroom – Eros (Cupid, Cupid). Continue reading

Rose and Cross block

The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of ​​the many-sided nature of life, the idea of ​​merging its opposing principles. Its main motive is connected with this – the dual unity of Joy-Suffering, a motive that is also reflected in its title, where “rose” should mean pleasure, joy of life, and “cross” – suffering that fell to a person or voluntarily accepted by him. The same motif is organically intertwined with a number of images of the multicolored world that surrounds the hero (Bertrand) and the heroine (Isoru): inviting mysterious, gloomy sea distantly, invoking a new and deep meaning to their dull being. Continue reading

Puglia "Golden Ass"
The Roman writer Apuleius won his main glory with the novel Metamorphoses (Transformations). Subsequently, this novel, in connection with the high appreciation of its readers, received another name, the Golden…

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Goncharov "Zion of agony"
In his article “Zion of agony”, I. A. Goncharov begins the characterization of the comedy “Woe from Wit” (see the summary, analysis and full text) with an indication of its…

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Grossman "Life and Fate"
How strikingly disappeared all the Soviet spells and formulas, enumerated above! [cm. Grossman's article “For the Right Cause” - analysis by A. Solzhenitsyn] - and no one will say that…

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The value of "Hunter's notes" in Russian literature
The artistic significance of Turgenev's Hunter's Notes is very great: there are many beautiful descriptions of the “endless” nature of the middle part of Russia - the nature whose beauty…

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