Corneille "Sid" - analysis with quotes
In the best works of the founder of the classic tragedy Pierre Corneille (1606 - 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing,…

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Leo Tolstoy "Confession"
The first of the works of Leo Tolstoy, in which he preached the moral-religious teaching (Tolstoyanism) that appeared in his mature age, was Confession (started in 1879 and completed in…

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SOC-ART IN THE LITERATURE
According to the Lexicon Nonclassics, this term originated in 1972–1973 to the circle of artists Vitaly Komar and Alexander Melamid as a kind of ironic centaur of domestic “social realism”…

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contemporary art and culture

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Aristophanes “Clouds”

Somewhat different from the usual carnival type of Aristophanes are his comedies, which pose problems of a non-political, but cultural order. Already the first (not come down to us) comedy by Aristophanes “Feasting” (427) was devoted to the question of the old and new upbringing and portrayed the evil effects of learning in the spirit of the new sophistic fashion. To the same topic, Aristophanes returned to the comedy “Clouds” (423), making fun of sophistry. But “Clouds”, which the author considered to be the most serious of the works he wrote so far, did not succeed with the audience and won the third prize. Subsequently, Aristophanes partially reworked his play, and it came to us precisely in this second edition. Continue reading

Puglia “Golden Ass”

The Roman writer Apuleius won his main glory with the novel Metamorphoses (Transformations). Subsequently, this novel, in connection with the high appreciation of its readers, received another name, the Golden Ass.

At the beginning of the novel, Apuleu says: “I begin the story in order to weave various fables in Milesian manner.” By this, he points to the closeness of his work to the Greek stories of Aristide of Miletus, translated into Latin in the first century. BC er By Cornelius of Sizenna. Continue reading

ALEXANDER SOLZHENITSYN. “PETERSBURG” ANDREI BELOGO

About Andrei Bely himself. He is too shaky and unbalanced to write a balanced work. In his unbridled fantasies themselves – unhealthiness, mental shift. Or rather: his peace of mind – “Almost everyone is sick.” And all his characters are so distorted as if he cannot imagine anything healthy. His own, even decadently cultivated, soreness manifests itself many times in the novel. And bizarrely anecdotally, he expresses himself in Nikolai Apollonovich: he spent a week at home in a black masquerade mask (in reality, there was a tiff with L. D. Blok) and “wanted to appear in a domino of flame color, in a mask, with a dagger in his hand”. So, Dudkin said: “I was not in love with any of the women: I was in love with separate parts of the female body, with toiletries, and stockings.” Bely himself writes: “I went through a disease where Friedrich Nietzsche, the magnificent Schumann and Hölderlin, fell into madness”. Continue reading

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BORIS GROYS "POLITICS OF POETICS"
Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is…

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ART MAGAZINE MOSCOW ART MAGAZINE
An unwritten text as a text is not in itself something unheard of. In the history of art, silence as a piece of music, blank sheets in graphic albums, white…

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"The Tale" by Abraham Palitsyna
The famous figure of the Time of Troubles, Avraham Palitsyn, described the circumstances of protection from the Polish troops of the Trinity-Sergius Lavra and his personal exploits in a work…

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Akhmatova and Tsvetaeva - Comparison
Probably in the distant future and for our era will find an elegant synthesis. Contradictions will become dull, contrasts will be extinguished, variegation will be reduced to unity, and a…

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