Boyardo, Matteo Maria, and his “Roland in Love”
Matteo Maria Boyardo (1434 or 1441-1494) was descended from a noble surname, who zealously served the Este family (who owned Ferrara and Modena) and received from him in 1423 fief…

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Byron "Childe Harold's Pilgrimage"
The hero of Byron's poem Childe Harold's Pilgrimage is a young aristocrat, full of pleasure and disappointed in life. Leaving the "father's house", his "ancient castle", Harold sits on the…

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Akhmatova and Tsvetaeva - Comparison
Probably in the distant future and for our era will find an elegant synthesis. Contradictions will become dull, contrasts will be extinguished, variegation will be reduced to unity, and a…

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contemporary art and culture

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Aristophanes “Clouds”

Somewhat different from the usual carnival type of Aristophanes are his comedies, which pose problems of a non-political, but cultural order. Already the first (not come down to us) comedy by Aristophanes “Feasting” (427) was devoted to the question of the old and new upbringing and portrayed the evil effects of learning in the spirit of the new sophistic fashion. To the same topic, Aristophanes returned to the comedy “Clouds” (423), making fun of sophistry. But “Clouds”, which the author considered to be the most serious of the works he wrote so far, did not succeed with the audience and won the third prize. Subsequently, Aristophanes partially reworked his play, and it came to us precisely in this second edition. Continue reading

Puglia “Golden Ass”

The Roman writer Apuleius won his main glory with the novel Metamorphoses (Transformations). Subsequently, this novel, in connection with the high appreciation of its readers, received another name, the Golden Ass.

At the beginning of the novel, Apuleu says: “I begin the story in order to weave various fables in Milesian manner.” By this, he points to the closeness of his work to the Greek stories of Aristide of Miletus, translated into Latin in the first century. BC er By Cornelius of Sizenna. Continue reading

ALEXANDER SOLZHENITSYN. “PETERSBURG” ANDREI BELOGO

About Andrei Bely himself. He is too shaky and unbalanced to write a balanced work. In his unbridled fantasies themselves – unhealthiness, mental shift. Or rather: his peace of mind – “Almost everyone is sick.” And all his characters are so distorted as if he cannot imagine anything healthy. His own, even decadently cultivated, soreness manifests itself many times in the novel. And bizarrely anecdotally, he expresses himself in Nikolai Apollonovich: he spent a week at home in a black masquerade mask (in reality, there was a tiff with L. D. Blok) and “wanted to appear in a domino of flame color, in a mask, with a dagger in his hand”. So, Dudkin said: “I was not in love with any of the women: I was in love with separate parts of the female body, with toiletries, and stockings.” Bely himself writes: “I went through a disease where Friedrich Nietzsche, the magnificent Schumann and Hölderlin, fell into madness”. Continue reading

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Aristophanes "Clouds"
Somewhat different from the usual carnival type of Aristophanes are his comedies, which pose problems of a non-political, but cultural order. Already the first (not come down to us) comedy…

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Gogol "Wii"
When analyzing the novel “Viy”, it immediately catches the eye that it is a work in which, like in Gogol’s other early stories, romanticism is inextricably mixed with realism: genre…

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“Woe from Wit” - analysis, briefly
“Woe from Wit” is the main work of Griboyedov’s entire life and is one of the best works of Russian dramatic literature. Despite the fact that Griboyedov describes Russian society…

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ART MAGAZINE MOSCOW ART MAGAZINE
An unwritten text as a text is not in itself something unheard of. In the history of art, silence as a piece of music, blank sheets in graphic albums, white…

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