"Drone", Novikov magazine
Of the Russian prints of the beginning of the reign of Catherine II, the most serious was Novikov’s journal “The Drone”, which was published in the capital from May 1769…

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"Taras Bulba" Gogol
The story of Gogol’s creation of the Taras Bulba story, the history of influences on the author of literary works by his predecessors, is very complex and has not yet…

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BORIS GROYS "POLITICS OF POETICS"
Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is…

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imagery and conciseness is more

“Woe from Wit” – analysis, briefly

“Woe from Wit” is the main work of Griboyedov’s entire life and is one of the best works of Russian dramatic literature. Despite the fact that Griboyedov describes Russian society in a very specific historical era (the first half of the 19th century), the comedy has not lost it and will never lose its freshness, will not become outdated, will enjoy the same success. In this we see undoubted proof of her genius of the work.

“Woe from wits” – and the picture of morals, and the gallery of living types, and the ever-acute burning satire on “Famusov society”, and at the same time, comedy, most of all – comedy, which can hardly be found in other literatures, ”writes another major Russian writer, Goncharov, in his remarkable article “A Million Torments”. Continue reading

“European Herald” – Karamzin magazine

Creativity Karamzin in the years of the reign of Alexander I is of considerable interest. A sentimentalist writer, an individualist, essentially his temperament, who was first interested in mainly his sensitive soul — he appeared in the Alexander’s epoch as a public figure and publicist. Karamzin wrote and published a whole series of articles reflecting the living interests of our time in the journal “Vestnik Evropy” (1802-1830), the editor-in-chief of which was. Continue reading

Watch books, read pictures

“The boundaries of my language represent the boundaries of my world.” This is what Wittgenstein said. And then, of course, you can not argue. Man is a creature: he likes to give names to everything. Even things that obviously do not need names. For us, a thing exists only if it has a name / title.

And most of us, if we ask what literature is, will say something like: “this is a story told through words.”

We are so used to it. So we were taught in school. Well, in general, all these old libraries, manuscripts, archives – because there are solid words, right? We grew up in an environment where text is primary. Continue reading

"Taras Bulba" Gogol
The story of Gogol’s creation of the Taras Bulba story, the history of influences on the author of literary works by his predecessors, is very complex and has not yet…

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The basis of the interaction of fiction
Science fiction as a genre in culture and media reality in one degree or another together and not randomly characterize modernity. This can be demonstrated by examples from the gaming…

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