ART MAGAZINE MOSCOW ART MAGAZINE
An unwritten text as a text is not in itself something unheard of. In the history of art, silence as a piece of music, blank sheets in graphic albums, white…

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Byron "Childe Harold's Pilgrimage"
The hero of Byron's poem Childe Harold's Pilgrimage is a young aristocrat, full of pleasure and disappointed in life. Leaving the "father's house", his "ancient castle", Harold sits on the…

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Watch books, read pictures
"The boundaries of my language represent the boundaries of my world." This is what Wittgenstein said. And then, of course, you can not argue. Man is a creature: he likes…

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imagery and conciseness is more

“Woe from Wit” – analysis, briefly

“Woe from Wit” is the main work of Griboyedov’s entire life and is one of the best works of Russian dramatic literature. Despite the fact that Griboyedov describes Russian society in a very specific historical era (the first half of the 19th century), the comedy has not lost it and will never lose its freshness, will not become outdated, will enjoy the same success. In this we see undoubted proof of her genius of the work.

“Woe from wits” – and the picture of morals, and the gallery of living types, and the ever-acute burning satire on “Famusov society”, and at the same time, comedy, most of all – comedy, which can hardly be found in other literatures, ”writes another major Russian writer, Goncharov, in his remarkable article “A Million Torments”. Continue reading

“European Herald” – Karamzin magazine

Creativity Karamzin in the years of the reign of Alexander I is of considerable interest. A sentimentalist writer, an individualist, essentially his temperament, who was first interested in mainly his sensitive soul — he appeared in the Alexander’s epoch as a public figure and publicist. Karamzin wrote and published a whole series of articles reflecting the living interests of our time in the journal “Vestnik Evropy” (1802-1830), the editor-in-chief of which was. Continue reading

Watch books, read pictures

“The boundaries of my language represent the boundaries of my world.” This is what Wittgenstein said. And then, of course, you can not argue. Man is a creature: he likes to give names to everything. Even things that obviously do not need names. For us, a thing exists only if it has a name / title.

And most of us, if we ask what literature is, will say something like: “this is a story told through words.”

We are so used to it. So we were taught in school. Well, in general, all these old libraries, manuscripts, archives – because there are solid words, right? We grew up in an environment where text is primary. Continue reading

Image and theme of the war in Tolstoy's “Sevastopol Stories”
In the military stories (“Raid”, “Forest Cutting”, “Sevastopol in December 1854, in May and August 1855”) Tolstoy dwells on the question of how legitimate war, demanding so many bloody victims,…

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Bogdanovich "Darling"
The content of “Darling” is taken from La Fontaine’s prose work “The Love of Psyche and Cupid” (“Les amours de Psyché et de Cupidon”). The content of this work, in…

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Goncharov "Zion of agony"
In his article “Zion of agony”, I. A. Goncharov begins the characterization of the comedy “Woe from Wit” (see the summary, analysis and full text) with an indication of its…

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ALEXANDER SOLZHENITSYN. "PETERSBURG" ANDREI BELOGO
About Andrei Bely himself. He is too shaky and unbalanced to write a balanced work. In his unbridled fantasies themselves - unhealthiness, mental shift. Or rather: his peace of mind…

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