Grossman "Life and Fate"
How strikingly disappeared all the Soviet spells and formulas, enumerated above! [cm. Grossman's article “For the Right Cause” - analysis by A. Solzhenitsyn] - and no one will say that…

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Belinsky "Literary dreams"
The basis of the article "Literary Dreams" by Belinsky was based on the idea that we do not have literature, because there is still no society, the physiognomy of the…

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Akhmatova and Tsvetaeva - Comparison
Probably in the distant future and for our era will find an elegant synthesis. Contradictions will become dull, contrasts will be extinguished, variegation will be reduced to unity, and a…

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connection between

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Corneille “Sid” – analysis with quotes

In the best works of the founder of the classic tragedy Pierre Corneille (1606 – 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing, the majestic images of harsh, volitional heroes express the idea of ​​patriotic duty understood as serving the state in the person of the king. A characteristic theme of classicism — the clash of personal interests with public debt — is permitted by Corneille in favor of debt, although he also portrays with great force the tragedy of human feeling suppressed by absolutist statehood. Continue reading

Katerina Akhmakova in Dostoevsky’s “Teenager”

To the unearthly friend of his, Sofia Andreevna, the main character of the “Teenager” Versilov faces a bright face. Dark, he turned to the earth of his love – Katerina Nikolaevna Akhmakova. Throughout the first two parts of the novel, the truth of this love is closed from us by a thick veil of gossip, slander, and vile suspicion. Versilov’s son, Arkady, heard that his father abroad had some kind of suspicious history with this woman and that they were shared by an old feud. He is prejudiced against Akhmakova and, having met her for the first time at Prince Sokolsky, sees him as an enemy. “She somehow raised her face, looked at me badly and. smiled cheekily. And yet its beauty strikes him. The author repeats the technique he used in “Idiot” to portray Nastasya Filippovna: the hero first sees a portrait of a beautiful woman, and then her own. Continue reading

Image and theme of the war in Tolstoy’s “Sevastopol Stories”

In the military stories (“Raid”, “Forest Cutting”, “Sevastopol in December 1854, in May and August 1855”) Tolstoy dwells on the question of how legitimate war, demanding so many bloody victims, is legitimate . This idea is particularly clear in his “Sevastopol Tales” (see their analysis), which describe the famous defense of Sevastopol during the Crimean War.

Battles and wars were depicted many times in Russian and foreign literature … – Almost always, these pictures are different, “poetizatsii”, elevated tone, a kind of “militarism, glorifying the exploits of warriors and leaders … Continue reading

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Rose and Cross block
The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of ​​the many-sided nature of life, the idea of ​​merging its…

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Grossman "Life and Fate"
How strikingly disappeared all the Soviet spells and formulas, enumerated above! [cm. Grossman's article “For the Right Cause” - analysis by A. Solzhenitsyn] - and no one will say that…

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Watch books, read pictures
"The boundaries of my language represent the boundaries of my world." This is what Wittgenstein said. And then, of course, you can not argue. Man is a creature: he likes…

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English theater of the era of Shakespeare
Along with the development of dramatic poetry in England, the stage production of plays was also improved. The great importance of Shakespeare's dramas arouses interest in the design of the…

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