Homeric epic
Epic means nothing more than a word about exploits (in Greek “epic” - “word”), songs that were performed by wandering singers. To the accompaniment of the lyre, they were sung…

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Afanasy Nikitin "Going beyond three seas"
“Going beyond the three seas of Afanasy Nikitin” (see its full text) - a description by a 15th century Russian man of his journey to far India.Afanasy Nikitin was a…

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Katerina Akhmakova in Dostoevsky's “Teenager”
To the unearthly friend of his, Sofia Andreevna, the main character of the “Teenager” Versilov faces a bright face. Dark, he turned to the earth of his love - Katerina…

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Corneille “Sid” – analysis with quotes

In the best works of the founder of the classic tragedy Pierre Corneille (1606 – 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing, the majestic images of harsh, volitional heroes express the idea of ​​patriotic duty understood as serving the state in the person of the king. A characteristic theme of classicism — the clash of personal interests with public debt — is permitted by Corneille in favor of debt, although he also portrays with great force the tragedy of human feeling suppressed by absolutist statehood. Continue reading

Katerina Akhmakova in Dostoevsky’s “Teenager”

To the unearthly friend of his, Sofia Andreevna, the main character of the “Teenager” Versilov faces a bright face. Dark, he turned to the earth of his love – Katerina Nikolaevna Akhmakova. Throughout the first two parts of the novel, the truth of this love is closed from us by a thick veil of gossip, slander, and vile suspicion. Versilov’s son, Arkady, heard that his father abroad had some kind of suspicious history with this woman and that they were shared by an old feud. He is prejudiced against Akhmakova and, having met her for the first time at Prince Sokolsky, sees him as an enemy. “She somehow raised her face, looked at me badly and. smiled cheekily. And yet its beauty strikes him. The author repeats the technique he used in “Idiot” to portray Nastasya Filippovna: the hero first sees a portrait of a beautiful woman, and then her own. Continue reading

Image and theme of the war in Tolstoy’s “Sevastopol Stories”

In the military stories (“Raid”, “Forest Cutting”, “Sevastopol in December 1854, in May and August 1855”) Tolstoy dwells on the question of how legitimate war, demanding so many bloody victims, is legitimate . This idea is particularly clear in his “Sevastopol Tales” (see their analysis), which describe the famous defense of Sevastopol during the Crimean War.

Battles and wars were depicted many times in Russian and foreign literature … – Almost always, these pictures are different, “poetizatsii”, elevated tone, a kind of “militarism, glorifying the exploits of warriors and leaders … Continue reading

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"Taras Bulba" Gogol
The story of Gogol’s creation of the Taras Bulba story, the history of influences on the author of literary works by his predecessors, is very complex and has not yet…

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Bunin "Loopy ears"
Bunin's story "Petty ears" is very inferior to "The Lord from San Francisco", but written in the same powerful manner, with the same force of a full-sound and wonderfully heavy…

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Belinsky "Literary dreams"
The basis of the article "Literary Dreams" by Belinsky was based on the idea that we do not have literature, because there is still no society, the physiognomy of the…

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Two crosses of Konstantin Batiushkov
This year marks the 230th anniversary of the birth of Konstantin Nikolaevich Batyushkov (1787–1855) and the 200th anniversary of the release of his only book, the two-volume book Experiments in…

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