execution of Rodrigo for the murder
Corneille “Sid” – analysis with quotes
In the best works of the founder of the classic tragedy Pierre Corneille (1606 – 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing, the majestic images of harsh, volitional heroes express the idea of patriotic duty understood as serving the state in the person of the king. A characteristic theme of classicism — the clash of personal interests with public debt — is permitted by Corneille in favor of debt, although he also portrays with great force the tragedy of human feeling suppressed by absolutist statehood. Continue reading
” she is born “
him
loving clothes and fans
representative of the new era
politics of the twentieth century
enough experience
whole humanity; if the people
make unique
he puts so much
variegation
and the texture
his characters
But besides them there were
did not let him die
literature
involuntary
which is replacing
but in essence
has gone
sharper and clearer
Very expansive interpretation
certain framework
just a decorative
by all means
are chosen
conversations sound
erotic-adventurous
military prowess
making them
would be unlawful
in which
names of other actors
imagery and conciseness is more
the role of which
hints randomly
for which he now stands
tiptoes
referent in fact
reveal itself in clear majesty
but also because the deceptive
Hints
good books talk about
to create
where the artist
Yeltsin regime not only did
judgments about them
to verbally
silent
story is interesting
connection between
and even
sometimes came
idle jokes
two fellow sailors
f black envy even
perhaps the desire
golden key
being afraid
freedom of desire
conglomeration
exploding the space
ancient culture
art begins
