BORIS GROYS "POLITICS OF POETICS"
Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is…

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Vasily Belov “Everything is ahead”
"Everything is ahead" (1986). - After a ravnavnogo immersion in the irrevocable Russian past, Belov, the more painful it was to feel inappropriate in the uncomfortable present, in the swarming…

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Akhmatova and Tsvetaeva - Comparison
Probably in the distant future and for our era will find an elegant synthesis. Contradictions will become dull, contrasts will be extinguished, variegation will be reduced to unity, and a…

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But besides them there were

Corneille “Sid” – analysis with quotes

In the best works of the founder of the classic tragedy Pierre Corneille (1606 – 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing, the majestic images of harsh, volitional heroes express the idea of ​​patriotic duty understood as serving the state in the person of the king. A characteristic theme of classicism — the clash of personal interests with public debt — is permitted by Corneille in favor of debt, although he also portrays with great force the tragedy of human feeling suppressed by absolutist statehood. Continue reading

Katerina Akhmakova in Dostoevsky’s “Teenager”

To the unearthly friend of his, Sofia Andreevna, the main character of the “Teenager” Versilov faces a bright face. Dark, he turned to the earth of his love – Katerina Nikolaevna Akhmakova. Throughout the first two parts of the novel, the truth of this love is closed from us by a thick veil of gossip, slander, and vile suspicion. Versilov’s son, Arkady, heard that his father abroad had some kind of suspicious history with this woman and that they were shared by an old feud. He is prejudiced against Akhmakova and, having met her for the first time at Prince Sokolsky, sees him as an enemy. “She somehow raised her face, looked at me badly and. smiled cheekily. And yet its beauty strikes him. The author repeats the technique he used in “Idiot” to portray Nastasya Filippovna: the hero first sees a portrait of a beautiful woman, and then her own. Continue reading

The value of “Hunter’s notes” in Russian literature

The artistic significance of Turgenev’s Hunter’s Notes is very great: there are many beautiful descriptions of the “endless” nature of the middle part of Russia – the nature whose beauty was first appreciated by Pushkin — a long series of types that are characteristic, purely folk, well-worn Russian life, and , at the same time, often marked by the features of “universal”. In the descriptions of nature, Turgenev was able to identify the most diverse moods, because the content of the story, usually, he responds and mood, the nature of the landscape, against which one or the other, a scene from human life. Continue reading

BORIS GROYS "POLITICS OF POETICS"
Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is…

...

Akhmatova and Tsvetaeva - Comparison
Probably in the distant future and for our era will find an elegant synthesis. Contradictions will become dull, contrasts will be extinguished, variegation will be reduced to unity, and a…

...

Aristophanes "Clouds"
Somewhat different from the usual carnival type of Aristophanes are his comedies, which pose problems of a non-political, but cultural order. Already the first (not come down to us) comedy…

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Nobuyoshi Araki
“Of course, in every work there is a pornographic connotation. Otherwise, it would be just eroticism - pure, intellectual and uninteresting. And I do an upgrade by adding a bit…

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