In the two greatest creations of Dante Alighieri – “New Life” and in the “Divine Comedy” (see its summary) – the same idea has been carried out. Both are bound by the thought that pure love ennobles human nature, and the knowledge of the frailty of sensual bliss brings a person closer to God. But “New Life” is only a series of lyrical poems, and “Divine Comedy” represents a whole poem in three parts, containing up to one hundred songs, each of which contains about one hundred and forty verses. Continue reading
How strikingly disappeared all the Soviet spells and formulas, enumerated above! [cm. Grossman’s article “For the Right Cause” – analysis by A. Solzhenitsyn] – and no one will say that this is from the author’s insight of 50 years? And what Grossman really didn’t know and didn’t feel until 1953–1956, he managed to catch up in the last years of work on Volume 2, and now, with passion, it’s all missed into the fabric of the novel.
Now we learn that not only in Hitler Germany, but also here: the mutual suspicion of people towards each other; It is a matter of suspicion if people talk over a glass of tea. Continue reading
Homer’s poem “The Iliad” (see its full text and analysis) begins with a description of the wrath of the protagonist of the Greek army – Achilles. Nine years already spent the Greeks under Troy among the battles and raids. This is the fateful tenth year, the year of deciding the fate of the besieged city (see Trojan War), when suddenly the quarrel between Agamemnon and Achilles over the possession of the beautiful captive Briseis gives a new turn to affairs. Insulted in the sense of honor and love, the wrathful Achilles stays with their ships at the seashore and no longer goes into battles with the Trojans. Continue reading