Corneille "Sid" - analysis with quotes
In the best works of the founder of the classic tragedy Pierre Corneille (1606 - 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing,…

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Akaky Akakievich Bashmachkin in the story "The Overcoat"
The Gogol story “The Overcoat” (see its full text, summary and analysis) depicts a petty, downtrodden and pathetic official Akaky Akakiyevich Bashmachkin (see his description in the text of the…

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Two crosses of Konstantin Batiushkov
This year marks the 230th anniversary of the birth of Konstantin Nikolaevich Batyushkov (1787–1855) and the 200th anniversary of the release of his only book, the two-volume book Experiments in…

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enough experience

Grossman “Life and Fate”

How strikingly disappeared all the Soviet spells and formulas, enumerated above! [cm. Grossman’s article “For the Right Cause” – analysis by A. Solzhenitsyn] – and no one will say that this is from the author’s insight of 50 years? And what Grossman really didn’t know and didn’t feel until 1953–1956, he managed to catch up in the last years of work on Volume 2, and now, with passion, it’s all missed into the fabric of the novel.

Now we learn that not only in Hitler Germany, but also here: the mutual suspicion of people towards each other; It is a matter of suspicion if people talk over a glass of tea. Continue reading

Bitter “Chelkash”

The hero of Maxim Gorky’s story “Chelkash” is Grishka Chelkash, an old wounded man, an avid drinker and a clever, courageous thief and smuggler in one of the southern Black Sea ports. Barefoot, in old, worn plush pants, in a dirty calico shirt, with a torn collar, which opened it with moving, angular, dry bones covered with brown skin, long, bony, slightly stooping, he immediately drew attention to himself by his resemblance to a steppe hawk, his with a predatory thinness and aiming gait, as smooth and calm in appearance, but internally agitated, with a sharp look, like the flight of an angry, nervous bird that he resembled. Continue reading

Gogol “Wii”

When analyzing the novel “Viy”, it immediately catches the eye that it is a work in which, like in Gogol’s other early stories, romanticism is inextricably mixed with realism: genre paintings are replaced by fantastic, fictional images, some kind of frightened imagination people and the author himself, stand next to the most ordinary people. The pictures of idyllic-peaceful nature are mixed here with Gogol with landscapes full of mystical horror and anxiety.

Romantic element in “Viy” Continue reading

“Woe from Wit” - analysis, briefly
“Woe from Wit” is the main work of Griboyedov’s entire life and is one of the best works of Russian dramatic literature. Despite the fact that Griboyedov describes Russian society…

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SOC-ART IN THE LITERATURE
According to the Lexicon Nonclassics, this term originated in 1972–1973 to the circle of artists Vitaly Komar and Alexander Melamid as a kind of ironic centaur of domestic “social realism”…

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The basis of the interaction of fiction
Science fiction as a genre in culture and media reality in one degree or another together and not randomly characterize modernity. This can be demonstrated by examples from the gaming…

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Rose and Cross block
The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of ​​the many-sided nature of life, the idea of ​​merging its…

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