"Woe from Wit" and "Misanthrope" by Moliere
Of foreign works, the comedy by Moliere “Misanthrope” was especially important for “Woe from Wit” (see the summary, analysis and the full text). Studies by Professor Alexei Veselovsky showed that…

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Byron "Childe Harold's Pilgrimage"
The hero of Byron's poem Childe Harold's Pilgrimage is a young aristocrat, full of pleasure and disappointed in life. Leaving the "father's house", his "ancient castle", Harold sits on the…

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SOC-ART IN THE LITERATURE
According to the Lexicon Nonclassics, this term originated in 1972–1973 to the circle of artists Vitaly Komar and Alexander Melamid as a kind of ironic centaur of domestic “social realism”…

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enough experience

Grossman “Life and Fate”

How strikingly disappeared all the Soviet spells and formulas, enumerated above! [cm. Grossman’s article “For the Right Cause” – analysis by A. Solzhenitsyn] – and no one will say that this is from the author’s insight of 50 years? And what Grossman really didn’t know and didn’t feel until 1953–1956, he managed to catch up in the last years of work on Volume 2, and now, with passion, it’s all missed into the fabric of the novel.

Now we learn that not only in Hitler Germany, but also here: the mutual suspicion of people towards each other; It is a matter of suspicion if people talk over a glass of tea. Continue reading

Bitter “Chelkash”

The hero of Maxim Gorky’s story “Chelkash” is Grishka Chelkash, an old wounded man, an avid drinker and a clever, courageous thief and smuggler in one of the southern Black Sea ports. Barefoot, in old, worn plush pants, in a dirty calico shirt, with a torn collar, which opened it with moving, angular, dry bones covered with brown skin, long, bony, slightly stooping, he immediately drew attention to himself by his resemblance to a steppe hawk, his with a predatory thinness and aiming gait, as smooth and calm in appearance, but internally agitated, with a sharp look, like the flight of an angry, nervous bird that he resembled. Continue reading

Gogol “Wii”

When analyzing the novel “Viy”, it immediately catches the eye that it is a work in which, like in Gogol’s other early stories, romanticism is inextricably mixed with realism: genre paintings are replaced by fantastic, fictional images, some kind of frightened imagination people and the author himself, stand next to the most ordinary people. The pictures of idyllic-peaceful nature are mixed here with Gogol with landscapes full of mystical horror and anxiety.

Romantic element in “Viy” Continue reading

Books about the art market
Several years ago I bought almost all books on the art market almost in a row and gradually created my own library of this literature. I have it all in…

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Akhmatova and Tsvetaeva - Comparison
Probably in the distant future and for our era will find an elegant synthesis. Contradictions will become dull, contrasts will be extinguished, variegation will be reduced to unity, and a…

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