How strikingly disappeared all the Soviet spells and formulas, enumerated above! [cm. Grossman’s article “For the Right Cause” – analysis by A. Solzhenitsyn] – and no one will say that this is from the author’s insight of 50 years? And what Grossman really didn’t know and didn’t feel until 1953–1956, he managed to catch up in the last years of work on Volume 2, and now, with passion, it’s all missed into the fabric of the novel.
Now we learn that not only in Hitler Germany, but also here: the mutual suspicion of people towards each other; It is a matter of suspicion if people talk over a glass of tea. Continue reading
The hero of Maxim Gorky’s story “Chelkash” is Grishka Chelkash, an old wounded man, an avid drinker and a clever, courageous thief and smuggler in one of the southern Black Sea ports. Barefoot, in old, worn plush pants, in a dirty calico shirt, with a torn collar, which opened it with moving, angular, dry bones covered with brown skin, long, bony, slightly stooping, he immediately drew attention to himself by his resemblance to a steppe hawk, his with a predatory thinness and aiming gait, as smooth and calm in appearance, but internally agitated, with a sharp look, like the flight of an angry, nervous bird that he resembled. Continue reading
When analyzing the novel “Viy”, it immediately catches the eye that it is a work in which, like in Gogol’s other early stories, romanticism is inextricably mixed with realism: genre paintings are replaced by fantastic, fictional images, some kind of frightened imagination people and the author himself, stand next to the most ordinary people. The pictures of idyllic-peaceful nature are mixed here with Gogol with landscapes full of mystical horror and anxiety.
Romantic element in “Viy” Continue reading