Watch books, read pictures
"The boundaries of my language represent the boundaries of my world." This is what Wittgenstein said. And then, of course, you can not argue. Man is a creature: he likes…

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Bogdanovich "Darling"
The content of “Darling” is taken from La Fontaine’s prose work “The Love of Psyche and Cupid” (“Les amours de Psyché et de Cupidon”). The content of this work, in…

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ART BOOKS
The art book is a stumbling block in the perennial issue of "execution can not be pardoned." Only in our case - “buy cannot be downloaded”. Yes, they are often…

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BORIS GROYS “POLITICS OF POETICS”

Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is a collection of essays from two English-language books, Art Power and Going Public, as well as articles published in American and European journals. Some texts of the book are published in Russian for the first time. Groys is important to read to those who want to familiarize themselves with the contemporary philosophical discourse of modern art: at the same time it turns out that it is relatively easy to write about the complex. One of the main themes of the collection is the relationship of art to the art market and to the sphere of political ideologies. Continue reading

SOC-ART IN THE LITERATURE

According to the Lexicon Nonclassics, this term originated in 1972–1973 to the circle of artists Vitaly Komar and Alexander Melamid as a kind of ironic centaur of domestic “social realism” and “pop art”, then familiar to our fellow citizens only by hearsay And the essence of the phenomenon itself in the use and parody reinterpretation of the most odious stereotypes, formulas, symbols and signs of both the state-owned art of socialist realism and the entire Soviet propaganda industry. “Pop art,” notes Max Frei in his Art-Alphabet, “could have arisen only in the“ consumer society, ”and social art was a product of a totalitarian society, all of whose members were victims of violent ideologization. Sots Art deconstructs the language of power, in this sense it is close to the tradition of a political anecdote – that’s why we love it. So far, by the way. ” Continue reading

Bunin "Loopy ears"
Bunin's story "Petty ears" is very inferior to "The Lord from San Francisco", but written in the same powerful manner, with the same force of a full-sound and wonderfully heavy…

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“Woe from Wit” - analysis, briefly
“Woe from Wit” is the main work of Griboyedov’s entire life and is one of the best works of Russian dramatic literature. Despite the fact that Griboyedov describes Russian society…

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Rose and Cross block
The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of ​​the many-sided nature of life, the idea of ​​merging its…

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Akhmatova and Tsvetaeva - Comparison
Probably in the distant future and for our era will find an elegant synthesis. Contradictions will become dull, contrasts will be extinguished, variegation will be reduced to unity, and a…

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