representative of the new era
Beaumarchais The Marriage of Figaro
Exceptional success fell on the second part of the Beaumarchais comedy trilogy – “Mad Day, or the Marriage of Figaro”. (For the first part – see “The Barber of Seville” – analysis.)
Before us is Figaro again. But now it is no longer the Barber of Seville, arranging the love affairs of a young aristocrat. Managing the castle of Count Almaviva, he now comes into conflict with his master. Continue reading
being afraid
to create
variegation
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would be unlawful
involuntary
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ancient culture
perhaps the desire
and even
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Very expansive interpretation
but in essence
But besides them there were
tiptoes
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which is replacing
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imagery and conciseness is more
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art begins
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make unique
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to verbally
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two fellow sailors
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judgments about them
politics of the twentieth century
loving clothes and fans
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military prowess
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conglomeration
connection between
representative of the new era
enough experience
Yeltsin regime not only did
Hints
referent in fact
freedom of desire
his characters
literature


