Byron "Childe Harold's Pilgrimage"
The hero of Byron's poem Childe Harold's Pilgrimage is a young aristocrat, full of pleasure and disappointed in life. Leaving the "father's house", his "ancient castle", Harold sits on the…

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Bogdanovich "Darling"
The content of “Darling” is taken from La Fontaine’s prose work “The Love of Psyche and Cupid” (“Les amours de Psyché et de Cupidon”). The content of this work, in…

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"The boundaries of my language represent the boundaries of my world." This is what Wittgenstein said. And then, of course, you can not argue. Man is a creature: he likes…

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“The Brothers Karamazov”

Dostoevsky writes not a philosophical treatise or a theological system, he writes a novel. Religious-philosophical material is introduced into the framework of the romantic genre and is developed according to its laws. A tense-dramatic plot is being built, in the center of which stands a mysterious crime; ideological masses are involved in a whirlwind of action and, colliding, cause spectacular explosions. In The Brothers Karamazov, the religious mystery is paradoxically combined with a criminal novel. For all its philosophical depth, it is one of the most fascinating and popular works of Russian literature. Continue reading

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“The boundaries of my language represent the boundaries of my world.” This is what Wittgenstein said. And then, of course, you can not argue. Man is a creature: he likes to give names to everything. Even things that obviously do not need names. For us, a thing exists only if it has a name / title.

And most of us, if we ask what literature is, will say something like: “this is a story told through words.”

We are so used to it. So we were taught in school. Well, in general, all these old libraries, manuscripts, archives – because there are solid words, right? We grew up in an environment where text is primary. Continue reading

"The Brothers Karamazov"
Dostoevsky writes not a philosophical treatise or a theological system, he writes a novel. Religious-philosophical material is introduced into the framework of the romantic genre and is developed according to…

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Katerina Akhmakova in Dostoevsky's “Teenager”
To the unearthly friend of his, Sofia Andreevna, the main character of the “Teenager” Versilov faces a bright face. Dark, he turned to the earth of his love - Katerina…

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