Bunin "Loopy ears"
Bunin's story "Petty ears" is very inferior to "The Lord from San Francisco", but written in the same powerful manner, with the same force of a full-sound and wonderfully heavy…

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strip tease
Pop Art and Literature
I do not like to talk about art, its impact on society and all that. I do not like, does not mean condemn such reflections. Well, you know how often…

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BORIS GROYS "POLITICS OF POETICS"
Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is…

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laughter gives way

Image and theme of the war in Tolstoy’s “Sevastopol Stories”

In the military stories (“Raid”, “Forest Cutting”, “Sevastopol in December 1854, in May and August 1855”) Tolstoy dwells on the question of how legitimate war, demanding so many bloody victims, is legitimate . This idea is particularly clear in his “Sevastopol Tales” (see their analysis), which describe the famous defense of Sevastopol during the Crimean War.

Battles and wars were depicted many times in Russian and foreign literature … – Almost always, these pictures are different, “poetizatsii”, elevated tone, a kind of “militarism, glorifying the exploits of warriors and leaders … Continue reading

Akaky Akakievich Bashmachkin in the story “The Overcoat”

The Gogol story “The Overcoat” (see its full text, summary and analysis) depicts a petty, downtrodden and pathetic official Akaky Akakiyevich Bashmachkin (see his description in the text of the work). He is so humiliated, so intimidated, so offended by fate that, apart from the mechanical rewriting of papers, he does not know how to do anything. He says more pronouns and interjections, is afraid of mocking co-workers and trembles in front of the authorities. Continue reading

Belinsky "Literary dreams"
The basis of the article "Literary Dreams" by Belinsky was based on the idea that we do not have literature, because there is still no society, the physiognomy of the…

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Rose and Cross block
The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of ​​the many-sided nature of life, the idea of ​​merging its…

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