chronographic order
“Drone”, Novikov magazine
Of the Russian prints of the beginning of the reign of Catherine II, the most serious was Novikov’s journal “The Drone”, which was published in the capital from May 1769 to April 1770. In this organ Novikov began to flaunt the vices of modern society, exposing them to the living faces of contemporaries, probably well-known and because it is easy for everyone to recognize.
Catherine resolutely rebelled against this — her satire in “All things” was “in a smiling way” and did not allow certain individuals to be convicted — she did not invade the state, even public life, and was of a general nature, as a result of which she was distinguished by vagueness. Continue reading
“Woe from Wit” and “Misanthrope” by Moliere
Of foreign works, the comedy by Moliere “Misanthrope” was especially important for “Woe from Wit” (see the summary, analysis and the full text). Studies by Professor Alexei Veselovsky showed that the image of Alceste was reflected in Chatsky: in the work of Griboyedov, the love story of the main character of “The Misanthrope”, Alceste, was repeated. Finally, the similarities are observed in some trifles. Of course, such a borrowing doesn’t make Griboedov’s comedy non-independent: if the form and some details were borrowed, then its content remained deeply Russian. Continue reading
“European Herald” – Karamzin magazine
Creativity Karamzin in the years of the reign of Alexander I is of considerable interest. A sentimentalist writer, an individualist, essentially his temperament, who was first interested in mainly his sensitive soul — he appeared in the Alexander’s epoch as a public figure and publicist. Karamzin wrote and published a whole series of articles reflecting the living interests of our time in the journal “Vestnik Evropy” (1802-1830), the editor-in-chief of which was. Continue reading
