Bunin "Loopy ears"
Bunin's story "Petty ears" is very inferior to "The Lord from San Francisco", but written in the same powerful manner, with the same force of a full-sound and wonderfully heavy…

Continue reading →

strip tease
Belinsky "Literary dreams"
The basis of the article "Literary Dreams" by Belinsky was based on the idea that we do not have literature, because there is still no society, the physiognomy of the…

Continue reading →

"The Tale" by Abraham Palitsyna
The famous figure of the Time of Troubles, Avraham Palitsyn, described the circumstances of protection from the Polish troops of the Trinity-Sergius Lavra and his personal exploits in a work…

Continue reading →

Heroes “Minor” Fonvizin

The most famous comedy of Fonvizin, “The Minor,” is one of the first-class works of Russian literature. The playwright portrayed in it, firstly, the ignorant, ancient education of noble children; secondly, the brutal arbitrariness of the landowners, their inhuman treatment of serfs.

You can read about the main characters of the play, Mrs. Prostakova, and her son, Mitrofanushka, in the articles on our site especially dedicated to them: Characteristics of Mrs. Prostakova in “The Minor” Fonvizin and Characteristics of Mitrofan in “The Minor” Fonvizin. Next, we outline the other characters in the play.

Prostakova’s husband, Mitrofan’s father, is a timid and weak-willed man, so beaten and intimidated by his wife that he has neither his desires nor his opinions. “With your eyes,” he tells his wife, “my men see nothing.”

Skotinin, Prostakova’s brother, is a comic person. He is depicted a little caricature with his exaggerated passion for pigs, which he himself innocently explains as follows: “People are clever in front of me, and between pigs I myself am more intelligent.” He received the same upbringing as his sister, and as rude as she: she treats pigs “not as an example better than people”; but in his whole figure there is some kind of comic good humor, occurring, however, from extraordinary stupidity. His name, as well as the names of other actors, are chosen by Fonvizin in accordance with the properties of their characters or activities.

A few strokes, but very vividly, depict the teacher Mitrofan, retired sergeant Tsyfirkin and seminarian Kuteikin. Tsyfirkin teaches Mitrofan about arithmetic, as his name implies; this is an honest old soldier. Kuteikin says that he left the seminary without completing the course: “Fear the abyss of wisdom.” He is a completely ignorant person; the only thing left for him to stay in the seminary is the manner of using often Church Slavonic expressions; besides, Kuteikin is an avid and self-interested, “insatiable soul,” as Prostakova characterizes him.

 

 

 

 

Watch books, read pictures
"The boundaries of my language represent the boundaries of my world." This is what Wittgenstein said. And then, of course, you can not argue. Man is a creature: he likes…

...

BORIS GROYS "POLITICS OF POETICS"
Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is…

...