Belinsky "Literary dreams"
The basis of the article "Literary Dreams" by Belinsky was based on the idea that we do not have literature, because there is still no society, the physiognomy of the…

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strip tease
Bulgakov "Crimson Island"
But - yet, how much more I read in the house of E.S. [Elena Sergeevna Bulgakova]. At first I reached for the “Crimson Island” (1927) - a brilliant satire, to…

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Books about the art market
Several years ago I bought almost all books on the art market almost in a row and gradually created my own library of this literature. I have it all in…

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art begins

Books about the art market

Several years ago I bought almost all books on the art market almost in a row and gradually created my own library of this literature. I have it all in English, because, firstly, I see no reason to read translations of what can be read in the original language (I have this snobbery in relation to both Steinbeck and Financial Times), and secondly, I don’t I heard that someone from compatriots wrote some impressive folio on the topic, like in Russia they built and built (yes they never built) the art market.

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Nobuyoshi Araki

“Of course, in every work there is a pornographic connotation. Otherwise, it would be just eroticism – pure, intellectual and uninteresting. And I do an upgrade by adding a bit of dirt – we all love dirt. ”

Photographer Nobuyoshi Araki is a master of provocative and defiant photography. The Japanese, who openly express themselves through photographs, at times prompting us to think about shung and (oh gods) Hentai, published over 250 books with his works. The confiscation of works and the closure of exhibitions only increase world fame and interest in his works, an honest photo. Continue reading

Leo Tolstoy "Confession"
The first of the works of Leo Tolstoy, in which he preached the moral-religious teaching (Tolstoyanism) that appeared in his mature age, was Confession (started in 1879 and completed in…

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SOC-ART IN THE LITERATURE
According to the Lexicon Nonclassics, this term originated in 1972–1973 to the circle of artists Vitaly Komar and Alexander Melamid as a kind of ironic centaur of domestic “social realism”…

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