"Drone", Novikov magazine
Of the Russian prints of the beginning of the reign of Catherine II, the most serious was Novikov’s journal “The Drone”, which was published in the capital from May 1769…

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BORIS GROYS "POLITICS OF POETICS"
Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is…

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Books about the art market
Several years ago I bought almost all books on the art market almost in a row and gradually created my own library of this literature. I have it all in…

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Monthly Archives: July 2019

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Leo Tolstoy “Confession”

The first of the works of Leo Tolstoy, in which he preached the moral-religious teaching (Tolstoyanism) that appeared in his mature age, was Confession (started in 1879 and completed in 1882). At one time she was not missed by Russian censorship. Printed in Geneva and in Russia distributed in lists. Confession is above all that he wrote afterwards; in purely literary terms, this is a masterpiece that is on a par with such things as the Book of Job, Ecclesiastes, and Confession of Blazh. Augustine. It is one of the greatest and forever living expressions of the human soul in the face of the eternal mystery of life and death. Continue reading

Corneille “Sid” – analysis with quotes

In the best works of the founder of the classic tragedy Pierre Corneille (1606 – 1684), speaking in the early period of classicism, at the time of absolute monarchy flourishing, the majestic images of harsh, volitional heroes express the idea of ​​patriotic duty understood as serving the state in the person of the king. A characteristic theme of classicism — the clash of personal interests with public debt — is permitted by Corneille in favor of debt, although he also portrays with great force the tragedy of human feeling suppressed by absolutist statehood. Continue reading

Katerina Akhmakova in Dostoevsky’s “Teenager”

To the unearthly friend of his, Sofia Andreevna, the main character of the “Teenager” Versilov faces a bright face. Dark, he turned to the earth of his love – Katerina Nikolaevna Akhmakova. Throughout the first two parts of the novel, the truth of this love is closed from us by a thick veil of gossip, slander, and vile suspicion. Versilov’s son, Arkady, heard that his father abroad had some kind of suspicious history with this woman and that they were shared by an old feud. He is prejudiced against Akhmakova and, having met her for the first time at Prince Sokolsky, sees him as an enemy. “She somehow raised her face, looked at me badly and. smiled cheekily. And yet its beauty strikes him. The author repeats the technique he used in “Idiot” to portray Nastasya Filippovna: the hero first sees a portrait of a beautiful woman, and then her own. Continue reading

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Boyardo, Matteo Maria, and his “Roland in Love”
Matteo Maria Boyardo (1434 or 1441-1494) was descended from a noble surname, who zealously served the Este family (who owned Ferrara and Modena) and received from him in 1423 fief…

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“European Herald” - Karamzin magazine
Creativity Karamzin in the years of the reign of Alexander I is of considerable interest. A sentimentalist writer, an individualist, essentially his temperament, who was first interested in mainly his…

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BORIS GROYS "POLITICS OF POETICS"
Today, the philosopher, theorist of art and curator Boris Groys is one of the most respected critics in the world art community. His recent book, The Politics of Poetics, is…

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"Taras Bulba" Gogol
The story of Gogol’s creation of the Taras Bulba story, the history of influences on the author of literary works by his predecessors, is very complex and has not yet…

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