Dante "Hell"
In the two greatest creations of Dante Alighieri - "New Life" and in the "Divine Comedy" (see its summary) - the same idea has been carried out. Both are bound…

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strip tease
Two crosses of Konstantin Batiushkov
This year marks the 230th anniversary of the birth of Konstantin Nikolaevich Batyushkov (1787–1855) and the 200th anniversary of the release of his only book, the two-volume book Experiments in…

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Bitter "Chelkash"
The hero of Maxim Gorky’s story “Chelkash” is Grishka Chelkash, an old wounded man, an avid drinker and a clever, courageous thief and smuggler in one of the southern Black…

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for which he now stands

“European Herald” – Karamzin magazine

Creativity Karamzin in the years of the reign of Alexander I is of considerable interest. A sentimentalist writer, an individualist, essentially his temperament, who was first interested in mainly his sensitive soul — he appeared in the Alexander’s epoch as a public figure and publicist. Karamzin wrote and published a whole series of articles reflecting the living interests of our time in the journal “Vestnik Evropy” (1802-1830), the editor-in-chief of which was. Continue reading

“The Brothers Karamazov”

Dostoevsky writes not a philosophical treatise or a theological system, he writes a novel. Religious-philosophical material is introduced into the framework of the romantic genre and is developed according to its laws. A tense-dramatic plot is being built, in the center of which stands a mysterious crime; ideological masses are involved in a whirlwind of action and, colliding, cause spectacular explosions. In The Brothers Karamazov, the religious mystery is paradoxically combined with a criminal novel. For all its philosophical depth, it is one of the most fascinating and popular works of Russian literature. Continue reading

Nobuyoshi Araki
“Of course, in every work there is a pornographic connotation. Otherwise, it would be just eroticism - pure, intellectual and uninteresting. And I do an upgrade by adding a bit…

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Rose and Cross block
The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of ​​the many-sided nature of life, the idea of ​​merging its…

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