by all means
Rose and Cross block
The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of the many-sided nature of life, the idea of merging its opposing principles. Its main motive is connected with this – the dual unity of Joy-Suffering, a motive that is also reflected in its title, where “rose” should mean pleasure, joy of life, and “cross” – suffering that fell to a person or voluntarily accepted by him. The same motif is organically intertwined with a number of images of the multicolored world that surrounds the hero (Bertrand) and the heroine (Isoru): inviting mysterious, gloomy sea distantly, invoking a new and deep meaning to their dull being. Continue reading
Byron “Childe Harold’s Pilgrimage”
The hero of Byron’s poem Childe Harold’s Pilgrimage is a young aristocrat, full of pleasure and disappointed in life. Leaving the “father’s house”, his “ancient castle”, Harold sits on the ship and says goodbye to his homeland. The agitated lines of “Farewell” convey the senses of the poet himself, who, like his hero, left England without regret with extraordinary force:
With you, ship, in a far light
I will rush under the storm howl …
Where? – there is no concern, Continue reading
Ariosto, “Furious Roland”
Poem Ludoviko Ariosto “Furious Roland” had more than 80 editions in the XVI century. The elegant and at the same time simple language brought her a quick triumph over the poem Boyardo. The adventures of Furious Roland are no less varied and much better narrated; the fantasy is rich, youthful fresh, courageous; the poem is imbued with a tender feeling that charmed women. Far surpassing Boyardo by the power of poetic creativity, Ludovico Ariosto surpasses her and his successor, Torquato Tasso. Even those scenes full of voluptuousness are depicted in Ariosto with tenderness and modesty. Continue reading
