audience applauded
Bulgakov “Heart of a Dog”
A homeless dog Sharik, who lived in Moscow, was scrubbed with a boiling water by one cruel cook. It was December, and Sharik, with his side wounded from the burn, was threatened with starvation. He howled plaintively at the gateway, when a well dressed, intelligent-looking gentleman suddenly appeared from the door of a nearby store. To the surprise of the dog, this mysterious man threw him a piece of Krakow sausage and began to call for him.
Sharik ran after his benefactor on Prechistenka and in Obukhiv Lane. On the way, the lord threw him a second piece of Krakow. To Sharik’s even greater astonishment, a decent man called him into the luxurious entrance of a large, rich house and led all the stray dogs, the porter, past the original enemy. Continue reading
Bulgakov “Crimson Island”
But – yet, how much more I read in the house of E.S. [Elena Sergeevna Bulgakova]. At first I reached for the “Crimson Island” (1927) – a brilliant satire, to a production that was banned at the root at the same time, only slightly flashed in the Chamber Theater …
Parses laughter already from the subtitle of the play [1] and the confused list of characters. A double theater, a theater in a theater, the spirit of theatrical life – just a playwright cannot write such a thing, but a natural theater theater, which Bulgakov was. Continue reading
Beaumarchais The Marriage of Figaro
Exceptional success fell on the second part of the Beaumarchais comedy trilogy – “Mad Day, or the Marriage of Figaro”. (For the first part – see “The Barber of Seville” – analysis.)
Before us is Figaro again. But now it is no longer the Barber of Seville, arranging the love affairs of a young aristocrat. Managing the castle of Count Almaviva, he now comes into conflict with his master. Continue reading
