but also because the deceptive
Rose and Cross block
The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of the many-sided nature of life, the idea of merging its opposing principles. Its main motive is connected with this – the dual unity of Joy-Suffering, a motive that is also reflected in its title, where “rose” should mean pleasure, joy of life, and “cross” – suffering that fell to a person or voluntarily accepted by him. The same motif is organically intertwined with a number of images of the multicolored world that surrounds the hero (Bertrand) and the heroine (Isoru): inviting mysterious, gloomy sea distantly, invoking a new and deep meaning to their dull being. Continue reading
Byron “Childe Harold’s Pilgrimage”
The hero of Byron’s poem Childe Harold’s Pilgrimage is a young aristocrat, full of pleasure and disappointed in life. Leaving the “father’s house”, his “ancient castle”, Harold sits on the ship and says goodbye to his homeland. The agitated lines of “Farewell” convey the senses of the poet himself, who, like his hero, left England without regret with extraordinary force:
With you, ship, in a far light
I will rush under the storm howl …
Where? – there is no concern, Continue reading
Akhmatova and Tsvetaeva – Comparison
Probably in the distant future and for our era will find an elegant synthesis. Contradictions will become dull, contrasts will be extinguished, variegation will be reduced to unity, and a “consonant chorus” will turn out from discord. The future scientist, fascinated by harmony, will brilliantly show the “uniform style” of our time. But what a pity for our disagreement, our living diversity, even our absurdity. And no “idea” will reconcile us with the transformation into masks of those persons whom we knew and loved. Continue reading
