Boyardo, Matteo Maria, and his “Roland in Love”
Matteo Maria Boyardo (1434 or 1441-1494) was descended from a noble surname, who zealously served the Este family (who owned Ferrara and Modena) and received from him in 1423 fief…

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strip tease
"The Brothers Karamazov"
Dostoevsky writes not a philosophical treatise or a theological system, he writes a novel. Religious-philosophical material is introduced into the framework of the romantic genre and is developed according to…

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Books about the art market
Several years ago I bought almost all books on the art market almost in a row and gradually created my own library of this literature. I have it all in…

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Batiushkov received

Bogdanovich “Darling”

The content of “Darling” is taken from La Fontaine’s prose work “The Love of Psyche and Cupid” (“Les amours de Psyché et de Cupidon”). The content of this work, in turn, was borrowed by the author from Apuleius’s novel The Golden Ass.

In the work of Apuleius, the main idea is that the soul, immersed in sensuality, matter afterwards, thanks to the initiation into the sacraments, is purified and transformed. The soul of a woman (Psyche), having lost its original purity, should as a slave of Love (Venus) undergo a series of severe tests in order to ascend to the divine bridegroom – Eros (Cupid, Cupid). Continue reading

Rose and Cross block

The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of ​​the many-sided nature of life, the idea of ​​merging its opposing principles. Its main motive is connected with this – the dual unity of Joy-Suffering, a motive that is also reflected in its title, where “rose” should mean pleasure, joy of life, and “cross” – suffering that fell to a person or voluntarily accepted by him. The same motif is organically intertwined with a number of images of the multicolored world that surrounds the hero (Bertrand) and the heroine (Isoru): inviting mysterious, gloomy sea distantly, invoking a new and deep meaning to their dull being. Continue reading

Byron “Childe Harold’s Pilgrimage”

The hero of Byron’s poem Childe Harold’s Pilgrimage is a young aristocrat, full of pleasure and disappointed in life. Leaving the “father’s house”, his “ancient castle”, Harold sits on the ship and says goodbye to his homeland. The agitated lines of “Farewell” convey the senses of the poet himself, who, like his hero, left England without regret with extraordinary force:

With you, ship, in a far light
I will rush under the storm howl …
Where? – there is no concern, Continue reading

The basis of the interaction of fiction
Science fiction as a genre in culture and media reality in one degree or another together and not randomly characterize modernity. This can be demonstrated by examples from the gaming…

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Pop Art and Literature
I do not like to talk about art, its impact on society and all that. I do not like, does not mean condemn such reflections. Well, you know how often…

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