Boyardo, Matteo Maria, and his “Roland in Love”
Matteo Maria Boyardo (1434 or 1441-1494) was descended from a noble surname, who zealously served the Este family (who owned Ferrara and Modena) and received from him in 1423 fief…

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strip tease
Bogdanovich "Darling"
The content of “Darling” is taken from La Fontaine’s prose work “The Love of Psyche and Cupid” (“Les amours de Psyché et de Cupidon”). The content of this work, in…

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Leo Tolstoy "Confession"
The first of the works of Leo Tolstoy, in which he preached the moral-religious teaching (Tolstoyanism) that appeared in his mature age, was Confession (started in 1879 and completed in…

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beat the people

Boyardo, Matteo Maria, and his “Roland in Love”

Matteo Maria Boyardo (1434 or 1441-1494) was descended from a noble surname, who zealously served the Este family (who owned Ferrara and Modena) and received from him in 1423 fief possession the county of Scandiano. Count Matteo Maria Boyardo studied in Ferrara, acquired a thorough acquaintance with Greek and Latin literatures, received the degree of Ph.D. and jurisprudence. The dukes of ferrara showed great respect for him; he married a girl from the Gonzag dynasty. From 1478 until his death, he almost continuously served as ruler of Reggio (in Lombardy). Modern lawyers blamed him for being too gentle, saying that he is better able to write poetry than to punish crimes. Continue reading

Beaumarchais The Marriage of Figaro

Exceptional success fell on the second part of the Beaumarchais comedy trilogy – “Mad Day, or the Marriage of Figaro”. (For the first part – see “The Barber of Seville” – analysis.)

Before us is Figaro again. But now it is no longer the Barber of Seville, arranging the love affairs of a young aristocrat. Managing the castle of Count Almaviva, he now comes into conflict with his master. Continue reading

Rose and Cross block

The ideological and philosophical basis of the drama is a characteristic of the Bloc of the 1910s the idea of ​​the many-sided nature of life, the idea of ​​merging its opposing principles. Its main motive is connected with this – the dual unity of Joy-Suffering, a motive that is also reflected in its title, where “rose” should mean pleasure, joy of life, and “cross” – suffering that fell to a person or voluntarily accepted by him. The same motif is organically intertwined with a number of images of the multicolored world that surrounds the hero (Bertrand) and the heroine (Isoru): inviting mysterious, gloomy sea distantly, invoking a new and deep meaning to their dull being. Continue reading

Vasily Belov “Everything is ahead”
"Everything is ahead" (1986). - After a ravnavnogo immersion in the irrevocable Russian past, Belov, the more painful it was to feel inappropriate in the uncomfortable present, in the swarming…

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Pop Art and Literature
I do not like to talk about art, its impact on society and all that. I do not like, does not mean condemn such reflections. Well, you know how often…

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